Photo 1: A concert on the roof of the Matsuya Asakusa department store in Tokyo

Summary of Analysis:

• Signage: The Japanese text on the banner mentions “Tulip Time,” suggesting a public festival or event held in Japan.

• Architecture and Infrastructure: The clock tower reflects mid-20th-century architectural trends in Japan, blending Western-style design with Japanese urban landscapes.

• Crowd and Attire: The attendees’ attire, such as Western-style suits and dresses, aligns with Japanese post-war fashion during the 1950s.

• Geographical Features: The elevated view overlooking a cityscape suggests a prominent location in Tokyo, possibly on a terrace or hilltop venue.

• General Context: Combining the Japanese text and architectural style, this appears to be a public event in mid-20th-century Japan.

Year:

• The photograph is likely from 1957.

• This conclusion is based on the clothing styles, which reflect Japan’s Westernization post-WWII, and the rise of public festivals during this era.

• Japan’s rapid modernization and blending of Western and traditional styles were prominent during the mid-1950s, which is reflected in both the attire and architecture.

Location:

• The image was taken in Tokyo, Japan.

• The architecture and elevated location suggest a recognizable area in Tokyo.

• Events like “Tulip Time” were popular in urban centers during this period. The cityscape and the Western-style clock tower further support Tokyo as the location.

Photo 2: Extras running around whilst shooting for the 1974 disaster film 'Earthquake' in Los Angeles

Summary of Analysis:

• Signage: No visible signage in the scene, but the cars and storefronts hint at mid-20th-century America.

• Architecture and Infrastructure: The storefronts, cars, and wide streets suggest a typical urban setting in the United States, consistent with the 1970s.

• Crowd and Attire: The mix of business suits and casual clothing fits the mid-20th century. The chaos and exaggerated poses imply this is a staged disaster scene.

• Geographical Features: The organized chaos with fake rubble and staged panic points to a controlled environment, likely a film studio.

• General Context: The scene appears to be a staged production rather than a real event, given the cinematic nature of the action.

Year:

• The image appears to be from 1974.

• The cars in the scene, including a Ford Falcon, align with vehicles commonly seen in the early-to-mid-1970s.

• The staged disaster environment corresponds with the trend of disaster movies from the time, particularly Earthquake (1974), which featured similar urban destruction scenes.

Location:

• The photo was taken in Los Angeles, California, USA.

• The cinematic nature of the scene strongly suggests a studio lot in Los Angeles, home to the American film industry.

• The exaggerated chaos aligns with typical staged movie scenes shot in Hollywood.

Photo 3: Montenegro supporters celebrating on the pitch after a 2-2 draw against England during a Euro 2012 qualifying match. The draw secured Montenegro a spot in the playoffs, which they lost

Summary of Analysis:

• Signage: The police shield with “Policija” and the national flags suggest a Balkan setting, likely during a football event.

• Architecture and Infrastructure: The stadium lights, digital scoreboard, and flat grassy field align with European football venues from the late 20th to early 21st century.

• Crowd and Attire: The casual sportswear and patriotic red clothing point to a football event, likely during a national game or celebration.

• Geographical Features: The flags and riot police presence indicate a highly charged football match, typical of international or Balkan-region games.

• General Context: Combining these elements, this is a football match or associated event in the Balkans, likely featuring Montenegro due to the flags.

Year:

• The photograph is likely from 2011.

• The modern riot police equipment, combined with the digital scoreboard and football match context, strongly point to the early 2010s. Montenegro hosted international matches during this period, and the overall scene aligns with this timeframe.

Location:

• The photo was taken in Podgorica, Montenegro.

• The Montenegrin flags and the presence of riot police suggest an event at the Podgorica City Stadium, a key venue for national football matches and celebrations.

Photo 4: Brazillians revellers celebrating Brazil's win during the 1994 FIFA World Cup final in Zürich. Brazil beat Italy 3-2

Summary of Analysis:

• Signage: The “Restaurant Biergarten” signage confirms a Germanic-style setting, but the Zurich location is tied to the event taking place.

• Architecture and Infrastructure: The mix of European cars and urban infrastructure aligns with Zurich’s cityscape in the late 20th century.

• Crowd and Attire: The celebratory attire and Brazilian flag suggest a connection to an international event, such as a sporting celebration.

• Geographical Features: The urban setting and specific reference to Zurich help pinpoint the location of this celebration.

• General Context: The combination of a German location and Brazilian symbolism suggests a celebration, likely tied to a football event or cultural festival.

Year:

• This picture appears to have been taken in 1994.

• The celebratory attire aligns with Brazil’s World Cup victory, and the surrounding cars and urban design fit the mid-1990s aesthetic.

Location:

• The photograph was taken in Zurich, Switzerland.

• Although the signage and aesthetic suggest a German-speaking region, the connection to Zurich is tied to the event’s setting, possibly involving a football-related celebration.

Photo 5: Actor Kenneth Cope being chased by Jennifer Watts whilst shooting a film about a scent which would make any girls chase him

Summary of Analysis:

• Signage: No visible signage, but the London buses and vehicles confirm the setting in London.

• Architecture and Infrastructure: The double-decker buses and British taxis firmly establish the setting as central London.

• Crowd and Attire: Kenneth Cope’s shearling coat and Jennifer Watts’ “bunny” costume align with the early 1970s fashion trends in the UK.

• Geographical Features: The wide streets and the presence of iconic British vehicles suggest this scene was staged near a recognizable London landmark.

• General Context: The attire and vehicles point to a staged or candid photo typical of London’s cultural quirks during the mid-20th century.

Year:

• The photograph is from 1971.

• This is based on the presence of Kenneth Cope and Jennifer Watts filming a scene tied to a movie in 1971. The fashion styles, including the shearling coat and thematic costume, reinforce the early 1970s timeframe.

Location:

• The photo was taken in London, England.

• The presence of iconic red double-decker buses and the staged nature of the photo place it in London, likely near Hyde Park or a central urban area used for filming.